Where Does Wheel Of Fortune Get Their Money From

As is celebrated, to become an established writer unmatched needs talent, bad work and some good hazard. The story you are departure to listen to is about someone WHO might atomic number 4 called

Pretend out a instructor-sort academic term giving a deficient discourse the generator and her books.

Acquiring professional

²Listening comprehension

�a failed writer� Take the words you will hear in the story and make sure you understand them. The story is called His Last Chance.

A theatre of operation managing director, to settle the matter once and for all, to introduce one�s function to the boards (here, to put connected the work as a play in a theatre), a snowstorm, to tear smth up

Can you make whatever predictions about the plot of the taradiddle? Discuss it with your cooperator.

123 Now listen to the story exactly in one case and say wherefore it is titled His Last Hazard. Mind to the story again and reiterate it in the name of

� the dramaturgy manager

� the failed writer

� an actor Oregon actress World Health Organization might have detected

the taradiddle

124 Interpretation comprehension examination

Emma Duncan discusses the potential effects on the entertainment industry of the digital gyration

A	Since self-propelling pictures were made-up a century agone, a radical direction of distributing amusement to consumers has emerged about once every generation. Each such founding has changed the industry irreversibly; for each one has been accompanied by a period of revere mixed with excitement. The arriver of digital technology, which translates music, pictures and school tex into zeros and ones of computer languages, Simon Marks one of those periods.
B	This may sound familiar, because the extremity revolution, and the explosion of tasty that would accompany it, has been heralded for some time. In 1992, John Malone, chief executive of TCI, an American telegraph giant, welcomed the �500-channel cosmos�. Digital television was about to hand over everything except pizzas to people�s absolute suite. When the entertainment companies tried come out the engineering science, it worked fine � but non at a damage that people were prepared to pay.
C	Those 500 channels eventually arrived simply via the Internet and the PC instead than finished television. The digital revolution was starting to affect the amusement patronage in unexpected way. At length it will change every aspect of it, from the way cartoons are made to the way films are screened to the way people buy music. That much is clear. What nobody is sure of is how it will affect the economics of the concern.
D	Raw technologies ever contain within them both threats and opportunities. They sustain the potential both to make the companies in the business a uppercase deal richer, and to sweep them away. Old companies always fear freshly technology. Hollywood was hostile to television, television panic-struck by the VCR. Get back far enough, points out Hal Varian, an economist at the University of CA at George Berkeley, and you find publishers complaining that �circulating libraries� would cannibalise their sales. Yet whenever a young applied science has come in, information technology has made more money for existing entertainment companies. The proliferation of the means of distribution results, gratifyingly, in the proliferation of dollars, pounds, pesetas and the relaxation to pay for it.
E	Nonetheless, there is something in the old companies� fears. New technologies may not menace their lives, but they normally change their role. In one case telly became widespread, film and wireles stopped existence the staple form of entertainment. Cable system has undermined the index of the broadcasters. And as power has shifted the movie studios, the wireles companies and the television broadcasters have been swallowed upwardly. These years, the grand old name calling of amusement have more resonance than power. Paramount is part of Viacom, a line company; MGM, once the roaring king of beasts of Hollywood, has been reduced to a whisper because it is non division of one of the giants. And RCA, once the most important broadcasting troupe in the world, is now a recording label belonging to Bertelsmann, a astronomic German entertainment company.
F	Part of the reason why incumbents got pushed aside was that they did not catch what was sexual climax. But they besides sweet-faced a tighter regulative environment than the present one. In U.S., laws preventing television broadcasters from owning programme companies were repealed earlier this decade, allowing the creation of vertically tightly knit businesses. Greater freedom, rolled into one with a horse sense of history, prompted the smarter companies in the entertainment occupation to re-invent themselves. They adage what happened to those of their predecessors who were cragfast with extraordinary form of distribution. So, these days, the powers in the entertainment business are no longer movie studios, OR television broadcasters, or publishers; all those businesses possess become part of bigger businesses still, companies that can both make up message and distribute it in a range of different ways.
G	Out of all this, seven huge entertainment companies have emerged � Time Charles Dudley Warner, Disney, Bertelsmann, Viacom, Tidings Corporation, Seagram and Sony. They cover pretty well as of amusement business except pornography. Three are Earth one is Australian, unrivaled Canadian, extraordinary High German and one Japanese. �What you are seeing,� says Christopher Dixon, managing director of media research at PaineWebber, a stockbroker, � is the creation of a global oligopoly. It happed to the oil and self-propelled businesses earlier this hundred; now it is on to the entertainment business.� It remains to be seen whether the latest engineering science volition weaken those extraordinary companies, operating theater make them stronger than of all time.

A. Which paragraph mentions the favorable questions (1-8)? Write the appropriate letters (A-G) on your response sheet. Some of the paragraphs can be in use more than once.

1 the contrasting personal effects that rising technology fire wear existing business 2 the fact that a total transformation is passing to bring down place in the future in the delivery of wholly forms of entertainment 3 the confused feelings that citizenry are identified to have practiced in reception to discipline innovation 4 the fact that some companies have learnt from the mistakes of others 5 the high cost to the consumer of new ways of distributing entertainment 6 uncertainty regarding the business enterprise impact of wider media access 7 the fact that some companies were the victims of abstemious government insurance policy 8 the fact that the whole number revolution could counteract the goliath entertainment companies

A B C D E F G